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    Lesley is a painter living and working in Portland, Oregon.   read more


Buy my original art on   ArtFire - Buy Handmade - Sell Handmade

Working on a New Painting - It’s Supersized!

I bought some large sheets of watercolor paper, and I decided to use the whole thing rather than divide it in half. I’ve done a few large paintings in the past (most notably the ginormous 48″x60″ Japanese  inspired piece I did in acrylic for my brother-in-law a few years ago), but never with gouache. I think I probably need to do something other than tape it down to the board, but I’m not sure what. If I continue to make paintings this big, I need to get some bigger brushes as well!

I’ve taken a few work in progress photos…

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As I sat there one night sketching and watching t.v., my assistant Sophie attempted to help by acting as a paperweight.

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I started to work on the background when I realized I’d forgotten to apply masking fluid to the space-tree-figure-thingy.

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I was attempting to use a technique I’ve only been satisfied with on very small pieces - applying gouache straight out of the tube before blending that in with other colors and loads of water. I like the speckley spots and random dark patches it leaves behind. I’m really into doing things that will give me a random effect I have little control over, like what I get when I apply the wax paper to the wet paint. I’ve also been looking at a lot of cool shots like this, taken from the Hubble Space Telescope. I want my backgrounds to end up looking like that! I’ll have to work on that idea for the next painting.

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Here is about where I am now, after many days and layers of color (my apologies for the poor quality photo!). I need to start working on the aforementioned space-tree-figure-thingy and then I’ll know if I need to do anything else with the background. I haven’t been able to paint for quite a few days and I feel like this is staring at me with sad puppy dog eyes. Time to get back to work. But first, lunch!

Art in Hand PDX is in the Bag!

The Art in Hand Portland Project deck is complete! We’ve been busy checking and re-checking our art and names for pre-production, and now the decks are on the way to the printer! Good things will be coming out soon, but for now you can become a fan of the Art in Hand Portland Project on Facebook!

From the info page:

Art in Hand™ began in October 2008 began in the Charlotte, NC area as an idea for a new product that would help local artists & arts non-profits, be functional and not leave too much of a footprint on this planet.

After a successful deck was released in Charlotte, Art in Hand decided to expand and realized the Portland would be a perfect location for the next deck!

The decks will be available in May 2010 and will be available at galleries throughout Portland, as well as all New Seasons Markets. Non-profits interested in selling cards as a fundraiser should contact us!

Become a fan to keep up on all the happenings with the deck, including the big auction party for the original pieces! Should be great fun. I’m really happy to be a part of it all, I’ve met some really great people.

Emily Carr - A Trip to the Vancouver Art Gallery

My family took me up to Vancouver BC for my birthday a few weeks ago - what a fabulous gift! We took the Amtrak Cascades up, which was a relaxing way to go, especially with two kids. We stayed downtown at the Pacific Palisades and spent the next two days walking, busing, or sky training around the city. I recommend visiting a city two weeks before they host the Olympics - very festive but without the crowd.

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Vancouver Art Gallery from Robson Square.

The first thing I did was drag my family to the Vancouver Art Gallery. I was so excited to be able to see some of Emily Carr’s work in person! Emily Carr was a Canadian artist who lived and worked in the early 20th century. I think this quote from her biography sums her up nicely:

“Her life is irrevocably connected with the Canadian West, the place where she was born and where she chose to spend her life, with only a few brief interruptions. Her independence as a woman when domesticity was expected, her resolve to travel frequently and unaccompanied to isolated First Nations villages, and her devotion to art despite the obstacles, distractions and criticism, remain inspirational.”

I forget how wonderful it is to see works in real life! I’m always astounded by their size and depth and pull.

"Tree Trunk", Emily Carr © Vancouver Art Gallery, all rights reserved

"Tree Trunk", Emily Carr (Photo: Trevor Mills) © Vancouver Art Gallery, all rights reserved

I’m sure anyone who has seen my work would understand why I love this so much. Look at that tree! How it ripples and twists, dark yet vibrant! Wow.

"Forest, British Columbia, 1931 - 1932", Emily Carr (Photo: Trevor Mills) © Vancouver Art Gallery, all rights reserved

"Forest, British Columbia, 1931 - 1932", Emily Carr (Photo: Trevor Mills) © Vancouver Art Gallery, all rights reserved

Oh, to follow that path! This painting is amazing… at 51 inches high you just feel like you can step into this world. I went to college on the northern California coast and lived among the giant redwoods for five years. I see her Forest and I know it, the damp and the dark and the mystery. I love how the treetops are not clear cut (ha ha), how the branches come from every which way.

"Above the Gravel Pit, 1937", Emily Carr (Photo: Trevor Mills) © Vancouver Art Gallery, all rights reserved

"Above the Gravel Pit, 1937", Emily Carr (Photo: Trevor Mills) © Vancouver Art Gallery, all rights reserved

Look at that sky! It is like rippling glass.

"Above the Trees", Emily Carr (Photo: Trevor Mills) © Vancouver Art Gallery, all rights reserved

"Above the Trees", Emily Carr (Photo: Trevor Mills) © Vancouver Art Gallery, all rights reserved

I love looking up towards the sky through a grove of trees, and I always wish I could capture that on paper. Emily Carr does it here, though this little image doesn’t do it justice. I love the movement in this piece, and the stunningly bold colors.

I had a great time in Vancouver, and I can’t wait to go back in a non-soggy month and for a longer period of time. We got just a taste of the great trees on a brief visit to Stanley Park.

Stanley Park, late afternoon.

Stanley Park, late afternoon.

The Rheostatics and the Group of Seven

I have been wanting to write about the artists known as the Group of Seven on my blog for some time now, and just haven’t had a chance to really sink my teeth into it. I was able to pick up a fantastic book on the group while in Vancouver, BC a couple of weeks ago.

I found a link to this great piece from CBC’s The National documenting one of Canada’s great rock bands - Rheostatics - and the making of the album Music Inspired by the Group of Seven, which was  commissioned by the National Gallery of Canada to accompany its Group of Seven retrospective show. I would have loved to have seen the live show! Here is hoping someone puts it out on DVD. I’d go more in depth on why these two sets of artists are a great fit, but the piece does a great job of doing just that.

Part one:

And the rest:

Art Galleries and Attitudes

I found this interesting post on Betsy Lewis’s blog titled The Art of Selling Art. In it she documents a trip to several art galleries in Portland’s trendy Pearl District and the poor reception she receives at many of them. The comments on this post are interesting as well… be sure to include them in your read.

I don’t go to galleries that often, and I rarely attend openings. I’m rather shy, by nature, and I stumble over small talk. I usually have a five and eight year old tagging along with me, causing a couple more short hurdles. I brought the kids to the recent Love Show Opening, and they managed pretty well but it was crowded and past their bedtime and it was difficult to get a good look at the show (though they were quite excited a couple of days later when we drove home from OMSI and they could see my painting through the window).

A few years ago for our anniversary my husband and I walked around the Pearl District and went to several galleries. I don’t remember anyone being out and out rude, but I certainly didn’t walk away with any galleries burned into my brain as being someplace I wanted to visit again. Between my uncomfortableness and their disinterest in my presence I often felt like I was intruding in a space where I didn’t belong.

I’ll concede that I’m carrying around some self-esteem issues with me, but a simple, genuine smile coupled with “welcome, enjoy, take your time browsing, let me know if you have any questions about a piece or an artist” would make me feel a lot more comfortable. I may not be there to make a purchase, I may be there in worn out Chuck Taylors or have rain-soaked kids in tow, but I may also be a future customer, and the way you treat me now makes a huge impact on my future patronage.

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I used to be a part of the Spiral Gallery Co-op in Estacada, Oregon. As part of our co-op duties we had to work two to four shifts a month. That meant being a face of the gallery, and that meant good customer service. It was a challenge because not every member was comfortable or even willing to sit in the gallery space. We often covered how to greet the public and interact with customers in our meetings. Rather than memorize information about all twenty plus artists in the gallery, each artist made a bio sheet that went into a notebook that guests could peruse.

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The Spiral Gallery’s First Friday openings were always a fun event and well attended, a surprise in such a small community (Estacada’s population is roughly 2500, and lies about 30 minutes up the Clackamas River from the outskirts of Portland). Estacada has a certain reputation in the Portland area (full of hicks, loggers, one lovely nickname is “incesticada”), and I think people are often surprised at the thriving art community in the area.

I’m sure that the public has certain prejudices and expectations about visiting an art gallery in Estacada, much as I’d be worried that I’d get snooty treatment in the Pearl District, or not be hip enough on NE Alberta. Maybe both sides need to let go of preconceptions and open up to each other. We all love art, and want artists to succeed.

New Paintings on Red Bubble, Moo Cards and Love

I’ve uploaded two of my small 4×6 paintings to Red Bubble: Pouring From the Sky and Feel As You Fly. Available as greetings cards and larger prints!

I also finally pulled the trigger on getting myself some business cards - I realized I was missing some opportunities while waiting for inspiration on The Most Perfect and Clever Business Cards Ever. I got some cute little Moo cards and a sweet little pink card holder too! I’m really happy with them.

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The 2010 Portland Love Show opening is this friday from 7-midnight. Stop by for a bit, it should be a great show!

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New Painting - Possessions, Fleeting

I’ve finished up my painting for the 2010 Portland Love Show. The opening is Friday, February 12th, from 7pm to midnight at the Olympic Mills Commerce Center. Should be fun!

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"Possessions, Fleeting" © 2010 Lesley Atlansky

Possessions, Fleeting is available in greeting card or multiple print formats at Red Bubble. Check it out!

I had my Art in Hand piece photographed by the lovely and talented Grace Weston, and managed to get the final image uploaded to the Art in Hand site with one day to spare.  I’ve seen the rest of the deck and Wow! This thing is going to be amazing. I’ll keep you posted on when the decks will be available (I hear New Seasons will possibly be selling them) and when and where the upcoming art viewings and auction will be held.

I’ve had more responses to my query on wetcanvas, and I love what one poster called my work: Dreamscapes. A lot of the basic ideas in my work come from things I’ve seen in my dreams, so I find the notion rather fitting. I just finished Jackie Battenfield’s The Artist’s Guide: How to Make a Living Doing What You Love, and she has some great exercises for writing a kick-ass artist statement. I think now that I’ve got a handle on what it is I’m painting, I can spend some time re-working my statement. Good times!

Just What Am I Painting, Anyway?

I recently posted a question on Wetcanvas, asking for help defining my art. I felt a bit stupid for doing so, but after a recent incident I really wanted some outside insight on what comes to mind when someone looks at my work.

I was at a party shortly before Christmas and was chatting with some people I didn’t know. They asked what I did, and rather than say “stay at home mom” I got over my stomach-clenching nervousness and said “I’m an artist”. I don’t know why it is so difficult to put that out there, but as I’m transitioning out of painting as a hobby to painting as a lifestyle, I need to be proud and put myself out there.

Anyway, the sky didn’t fall when I answered, and they were really nice and rather curious. After I got past my next hurdle (explaining what gouache is), they asked “So what style do you paint? Like landscapes or people or…?” Here, I stumbled. I flailed about for words and said something really brilliant like “Um, well, they are kind of like landscapes, but not always, there are some trees, but they are kind of floating, and some birds, sometimes…” I was rescued when on person said “Oh! Sounds whimsical!” I thought to myself, no, not really whimsical but blurted out “Yes!” just to get myself out of this awkward situation.

The folks on Wetcanvas were lovely as always — giving out ideas on what they would call my art, describing how they carry around a business card or postcard with an image of their work on it, talking about how we shouldn’t need to define ourselves to people, discussing perceptions and titles and being “just a mom”. I found a word I like that I think fits what I’m doing - ethereal - which I’ll use to replace the word “cosmic” that has been running around in my head despite the fact that it doesn’t quite feel right to me. I’ll feel okay using the word surreal because others see my art that way too.

I need to suck it up and get some business cards ASAP. I have a background in graphic design, so I keep trying to come up with the greatest, most eye-catching, super-unique card ever. Meanwhile, months slip by and I miss a ton of opportunities to get my info out there to people. I should start with something beautiful and basic, and create that one-of-a-kind card when it comes to me.

Blog Blog Blog - A Quick Sweep of the Web

I’m working myself out of my little mental crisis, slowly but surely. I’ve been focusing on my art for the last three days–systematically going through that list of 66+ websites I mentioned before and determining which would be a good fit for me, thinking about a new artist’s statement, looking at a grant application, painting, sketching.

I’ve found a few good blogs that are new to me, and I’d like to share them with you:

I’m looking forward to reading them. If you have a blog you love (or a blog yourself (not necessarily art related!)) drop me a line in the comments.

Treading Water - a Self Indulgent Pity Party. I’ll Bring the Beer.

I hate relying on the change in the calendar as a jumping off point for new things, but it really does feel like starting over when we hit January. Maybe it is the clearing up of the holiday stuff-November and December get so busy and the house gets full to bursting with people and food, decorations and gifts. New Year’s Day comes and goes and the once cheerful holiday decorations now fill the space in a claustrophobic manner. Getting all that cleared out of the house feels like a new, fresh beginning.

With all that done though I still feel trapped. Unmotivated. Tharn. I need to paint, I need to blog, I need to catch up on social media sites, I need to play with my kids, I need to cook, clean, do laundry, I need to pick up the dog poop, I need to wash the dog, I need to help at preschool, I need to help at elementary school, I need to reorganize the basement, the office, the fun room…I’ve got upcoming shows to get ready for, medical concerns weighing heavily on my mind, neglected friends to call, a trip to plan for, a car with no gas in the tank, and a very overdue library book.

I don’t know what to do first, and so I am doing none of it. I want to be like my Sophie cat, and find a spot to hide.

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The days and weeks feel like the are slipping through my fingers. Usually I feel like this for an hour, or a day, and then I pull myself out from under it, make some lists, and start to tackle things until I wonder why I thought it would all be so hard. I find that I’m having trouble pulling myself out from under it this time.

I’ve been fiddling, though. I started reading Jackie Battenfield’s The Artist’s Guide: How to Make a Living Doing What You Love. She has some challenges, some goals to write down. They seem like such an immense task right now, at once pointless and  thrilling. I set the book aside, but I think I’ll do them soon. I started re-reading Chris Guillebeau’s The Unconventional Guide to Art and Money. I’ve been thinking about my web presence, and how maybe I shouldn’t be satisfied with two sites (RedBubble for prints, ArtFire for originals). That would be like advertising during Oprah while hoping to reach Letterman’s audience too. I don’t know how the average customer goes about finding a website to purchase art from, but it seems silly of me to hope they stumble upon me at ArtFire when they normally shop at Artocracy or Zatista or any of the other sites where artists congregate to sell their wares.

In the “this probably doesn’t help with the overwhelmed feeling” category, I found this great blog post titled “List of 66+ Websites for Artists To Build Online Presence“. I’ll just jot those things down on my to-do list…

I know readers will be pleased to know that between starting and finishing this post, I did return that overdue library book. Baby steps.

Okay, I’m done. The party is over (but wait, it is only 1oam, I never got my beer!). I’m supremely lucky in so many ways - super supportive family, best dog in the world, food, clothing, shelter, warmth. Everyone has loads on their plate, dreams pushed off to another day, clutter and illness and days where you just feel like you are going in circles. I just needed to put mine out there. Acknowledge it. Frown at it. Get rid of the extraneous crap and just get to it. Up and out!